Classes

Corporate Programs

Pronunciation Improvement for Non-Native Speakers of English

Training consists of pre-test and analysis of each participant's speaking pattern, plan for improvement, training in recognizing and correcting differences in sounds and melody, and post-test. Emphasis is placed on occupational vocabulary and practice on the job. Materials are included. Follow-up evaluations are included for individual training. Individual, small and large group training is available in 12, 18 or 24 hour increments. In addition, a 3 day intensive training program is available for those with limited training time or for those living out of town. Scheduling is flexible for all programs and can be modified to fit your needs. See Accent Modification

Presentation Skills

Deb Kowalczyk working with a large class
Deb Kowalczyk working with a large class

Emphasis is on addressing the most common problems seen when speaking publicly, including: Fear of public speaking, understanding and practicing the four parts of speaking (breath support, voicing, resonation, and pronunciation), and presentation structure, among others. The session ends with videotaping the participants with pro-active analysis and feedback. Small group or large group. Full day or half day sessions. See Corporate Speakers

Voice & Diction Training

Deb Kowalczyk working with a small group
Deb Kowalczyk working with a small group

Emphasis on analyzing and correcting individual problems with projection, pronunciation, voicing, and others. Directed toward native English speakers. Individual training. Sessions ranging from one to eight hours available. See Voice Training

Performance Programs

Voice & Diction for Performers

Familiarizes performers with the workings of the voice, helps them become aware of their own blocks and tensions, and gives practical suggestions on how to free their true voice. Performers will find that all aspects of voice and diction (muscle tension, breath support, voice, resonance, articulation) are connected to one another and that it is necessary to utilize them in order to be authentic on stage. See Performing Artists